Gorean Master: Another side of Me

Gorean Master: Another side of Me

For those who really Know Me Knows that I am into Gor. Well I am Getting back into Learning it again and adding it to My training of subs/slaves. Jade is learning it to help Me train other girls that want that style of training. We are learning the commands that The Free (Master/Mistress) should know to teach a slave (kajira). As the Owner of The House I shoudl post some of it in My blog what the Commands that Free give to theirs slaves. I would like to hear what you think bout these commands.

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Picture from http://www.pantheus.com/T-O/artgal.shtml

Master Commands from http://www.counterurth.com/gor/command.htm

(for examples of these positions, come here)

	bara : at this command, a slavegirl will lie on her stomach, with her wrists crossed behind her back, ready for binding, and with her ankles crossed, ready for binding
	belly: This position is used mainly because it pleases the Master. she falls to the floor face down, her forehead resting flat on the surface her arms at her sides with her legs spread widely, and crawls to her Master on her belly.
	bracelets: this position is used to put on slave bracelets for chaining the slave. she places her hands behind her back, her shoulders pushed back and her breasts thrust outward, her hands clasped tightly behind her back, ready for bracelets.
	crawl: similar to the belly command, she gets on all fours, palms to elbows are flat on the floor, as ass in the air with her forehead close to but not touching the ground and crawls to Masters feet.
	Gorean bow: she kneels in nadu and bends her body backwards, her head to the floor she places her hands by her head and pulls up into a back bend.

	hair position: she stands her feet flat on the floor, and bows gracefully at the waist that her hair might fall forward for display or to be shorn, seized, or for any purpose that the Master desires.
	har-ta! : faster!
	heel command: she goes to the Master and kneels behind His left foot, awaiting His movement whereupon she stays to His left and slightly behind Him as He moves.
	high bracelets: she stands with feet shoulder width apart, holding her head high with eyes lowered submissively, her arms out before her with her wrists pressed together, ready for binding.
	kara : turning
	karta position of obedience: she kneels on the floor, her thighs spread wide to allow her to lay her chest upon the floor, she leans forward placing her breasts and forehead on the floor, reaching out with her arms fully extended, palms down, ankles may be crossed of uncrossed. show utmost respect. requests may be made from this position.
	ko-laring position: also called the "position of female submission" she kneels at the Masters feet and leans her body back, sitting on her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication.
	leading position: posture of a slave girl, bending forward at the waist, with her head at a master's hip, so that he may grab her hair and guide her where he wishes her to go
	lesha: at this command, the slavegirl stands with her hands behind her back, ready for binding, and with her head back and chin to the left, ready to have a leash snapped onto her collar
	nadu : at this command, a slavegirl will kneel back on her heels, with her knees spread wide, back straight, hands on thighs with palms up, head up, eyes lowered; i.e.: to assume the position of a Pleasure Slave
	obedience position: she goes to the floor laying upon her stomach face down before the Master. she turns her head and places her cheek against His feet, kissing them lightly In a gesture of love and submission
	prostrate: this is used when waiting to enter a room, she kneels and touches her forehead to the floor stretching her arms out before her with palms down and fingers splayed
	run command: she runs towards her objective taking short rapid steps her legs almost straight her feet hardly leaving the floor. as she moves her back is straight, head turned to the left, arms at her sides palms facing outward at a 45degree angle. Upon reaching her goal she drops gracefully to her knees and assumes nadu
	She-Sleen position: also known as "assuming the modality of the she-quadruped" she falls to her hands and knees, her head down on the floor, her hindquarters thrust high for viewing and/or her Masters pleasure. serving in the modality of the she-quadruped is an instruction whereby the slave performs her regular duties upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet and may only use her mouth to grasp and move objects.
	slave lips : the pursing of a slave's lips as for kissing
	Slavers kiss position: she falls to the floor on all fours and lowers her head to the ground with her ass thrust upward and her thighs widely parted exposing her hind quarters fully in preparation for the caress of the leather against her body. Common Gorean usage of this position, she falls to the floor upon all fours and keeps her head straight, her eyes looking forward, with her ass thrust upward and her thighs widely spread in preparation of the sexual use of the Master
	submission: she kneels bending at the waist, places her cheek to the floor, takes the Masters right foot and places it upon her neck, placing her arms behind her back crossing them at the wrist.
	suga: this is very similar to karta, but in this her wrists are crossed, she kneels knees wide and lays her head to the floor forehead down and arms stretched over her head. lying quietly
	sula : at this command, a slavegirl will lie on her back, her hands at her sides, palms up, and with her legs spread wide...she awaits Masters inspection.
	sula-ki: this position is almost identical to the sula position, except once she has assumed sula, she slowly lifts her hips. encouraging her sexual use by Him.
	table: this command is used when ever the Master needs a resting place for his drink or just to rest his feet. she goes on all fours, locking her elbows, making her back straight and level, holding her head level also.
	walk command: when this command is given she turns in a graceful pirouette, her hair swinging. she she walks gliding across the room her feet seeming to not leave the floor, walking sensually, when she reaches her objective, she halts and stands, her body erect, shoulders back chest thrust forward, belly in. Turning her hip out her hands at her sides, and points one foot, head high and eyes lowered as always.
	whipping position: she first assumes nadu, though with her arms crossed in front of her, she then leans forward and places her head to the floor first sweeping her hair forward over her shoulder in order her back is utter exposed for the whip
	veck : stand

Wednesday September 6, 2006 - 03:10pm

''LC'